- Autotune For Pro Tools 12
- Pitch Correction Logic Pro X Autotune
- Pitch Correction Logic Pro X Autotune Pro
- Pitch Correction Logic Pro X Autotune Plugin Free
- Pitch Correction Logic Pro X Autotune Free
Autotune is the perfect example of a signal processing method that can be used in overdrive as an effect or used properly in a transparent way to improve a performance. More artists than you'd realize use this tool undetectably, while others make it very obvious.
- Autotune is software that was created by the Antares, and the name has been in use since the software was launched. Auto tuning is pitch correction. This process is simple in Logic Pro X. Auto tuning can be done in three ways: Pitch correction tool, Flex pitch, and external plugins.
- Today we tackle How to AutoTune in Logic Pro X. AutoTune in Logic Pro X – Step-by-Step. If AutoTune is the sound you are going for, here are the steps to add it seamlessly to your tracks. Solo your vocal track. First, we will need to single out or solo our vocal track by clicking the ‘S’ button as shown below.
- The program also allows multi-track editing, streamlining the pitch correction process. Pitch correction and manipulation within DAWs. The prominence of programs like Auto-Tune has led most DAWs to include their own comparable pitch correction features within their software. Here we’ll examine Flex Pitch in Logic Pro and VariAudio in Cubase.
- It's a fantastic way to creatively re-pitch vocals on the fly, particularly when paired with the return of Auto Tune Pro's 'classic' mode. Autotune Plugin Logic Pro X 5. X42 Auto-Tune X42 Auto-Tune is a simple autotuner based on the zita-at1 by Fons Adriaensen. It's much better if you use it as a light tonal fixer over a full-on robotic autotuner.
Learn more about Auto-Tune, the music industry standard for pitch correction and vocal effects. Shop and learn about the best plug-ins for pitch correction, vocal effects, voice processing, and noise reduction. Auto-Tune Pro, Auto-Tune Artist, Auto-Tune EFX+, Auto-Tune Access, Harmony Engine, Mic Mod and more. Faheem Rasheed Najm (born September 30, 1985), better known by his stage name T-Pain, is an American rapper, singer, songwriter, record producer and streamer.His debut album, Rappa Ternt Sanga, was released in 2005.In 2007, T-Pain released his second album, Epiphany, which reached number one on the US Billboard 200 chart. His third album, Thr33 Ringz, was released in 2008. Logic Pro X Tutorial – AutoTune. Mitchel Pigsley. How to get auto-tuned vocals with the LPX Flex-Pitch tool and the Pitch Correction plugin. Thanks for watching! Support: this video I explain how to achieve the auto-tune effect on vocals. For this technique I use the flex-pitch fe. Why Should you use Autotune? Autotune is a pitch correction software that corrects the pitch/tune of the vocalist’s voice to perfection. It is a device or software to tune something automatically, like a piece of computer software that would help you use the correct. Ion of an out-of-tune vocal performance.
This is a quick and easy look at how to set up very basic pitch correction on vocals in your projects, for that Auto-Tune effect.The Auto-Tune effect has bec.
Take artists like Cher or T-Pain, or even Lil Wayne when rapping, who nearly sound like robots during their songs. It's my opinion that the 2010 decade will be considered a 'dark age' of music, partially due to this effect that many artists will come to regret in the future.
Then you consider all of the artists you think aren't using it. Let me tell you, they all are, but their mixing engineers are doing such a fantastic job with it you wouldn't know. The main contributing factor to an 'invisible' autotune is a great vocal performance.
In order to push the effect into overdrive you have to purposefully have a bad performance to a certain degree, which is why it works so naturally well for rap artists in terms of singing to the correct pitch.
There are three levels of autotune, as far as I see it:
- Purposefully too much - like Cher, T-Pain, and Lil Wayne
- Too much needed - modern Pop and Country music
- The perfect amount - every other genre that you don't notice it in
The only difference between the second and third stage is how good of a vocalist the artist is. Most pop artists are selected based on their overall marketability (looks, ability to perform, above average vocal talent) as opposed to being chosen based on a supreme skill in singing.
I'm going to show you how to achieve all three stages, from sounding like a robot, to sounding like a synthesizer, to undetectable perfection.
What is Autotune?
Autotune is an audio signal processor tool originally used to correct off-key pitches in vocal performances (or any other instrument). It's also used as a sound effect applies pitch correction so aggressively that it sounds unnatural and synthetic.
The term Autotune has become synonymous with pitch correction, but it's actually a trademarked word and tool created by Antares Audio Technologies. Many DAW plugins exist that all have their own names and are referred to as such, but the effect is now commonly and simply called 'autotune.'
While disguising off-key pitches by slightly adjusting them to lock on key was the initial intention, Cher changed pop music for every with her 1998 single Believe. It uses the effect over-dramatically and inspired musicians like T-Pain to make it their signature sound.
How to Autotune
In this section I'll be telling you exactly how to use autotune, but I'll do it from the perspective of polishing an already great vocal performance. The key to having a transparent and musical use of this plugin is to create as best of a vocal track as possible.
This usually means singing the same section of a song dozens of times and creating a 'best of' composite track. Only after the absolute best performance has been pieced together from many takes should you fix the final errors with pitch correction software.
Note: Any vocal recording or instrument you want to use pitch correction on must be a mono track. Stereo tracks don't work out. It also needs to be free of reverb, delay, and other audio effects.
1) Apply the Plugin to the Track & Familiarize Yourself With It
I have to assume you know how to use your digital audio workstation software and how to add a plugin to a track in the multitrack. What I can't assume is which plugin you'll be using. In this case I'll be showing you the Logic Pro Pitch Correction plugin. They all work the same but look different.
Though I'll show you Logic Pro's default plugin, I'm going to use terminology that's more likely to appear in all of the plugins. You'll be able to figure out what's what, since I give several names for each parameter you can adjust.
If you aren't familiar with the settings at all, please scroll down to the next main section of the article called Autotune Settings. I define each setting and also provide some suggested starting points for the three levels of pitch correction mentioned above.
2) Select the Key, Scale, & Input Type
You'll typically have two choices. You can manually select a key (like G Minor) and a scale (Melodic minor scale), or you can punch it in manually on the provided keyboard. Sometimes, instead of a key they'll ask you for the root note of your scale, which would be G if using G Minor or G Major.
If you choose a key and scale from the list, you'll still want to adjust which notes are available as targets for tuning on the keyboard. Sometimes vocals doen't use all of the notes in a scale and you don't want them available, especially if a performance is extra 'not good.'
Alternatively, if you're going for the goofy robot rap vocal sound then choose the chromatic scale, which means all possible notes are available as pitch correction targets.
3) Choose Your Retune Speed
Now that you've defined the allowable notes for the effect, it's time to make it actually work. We're now going to focus on the retune knob or slider. A slower speed, like 400 ms to half of a second, will be completely undetectable but entirely too slow to even do anything in most cases.
Loop the vocals in solo mode (so you can only hear the singer) and start the retune at the slowest amount allowed. Slowly increase it and you'll begin to see the meter show which note is being detected and how sharp or flat it is in cents. That amount is how much pitch correction needs to be applied.
The retune speed defines how quickly it applies that amount of pitch correction. So if you need to slide a note up by 50 cents, that can occur instantaneously at zero milliseconds, or over 100 ms, as examples. You'll have to choose the right amount that provides the sound you want.
For electronic music, you may want it to be slightly noticeable. For the robot effect set it to zero. For a transparent use of the effect, you'll have to toy with it, but it'll be a slower setting than faster. It's impossible to tell you what the right amount is. You have to use your ears!
4) Decide How Perfect You Want the Vocals to Be
Regardless how quickly you're 'snapping' to the correct pitch, you have more choices to make about how impeccable and perfect you want the vocals to be. No human can hold a perfect note. Even the best will waver by a few cents. If you remove that wavering, it will sound unreal.
If you want to add the human element back into the vocal track, use the Flex Tune option if it's available. Logic Pro's Pitch Correction has no such option. It allows the vocals to be off-pitch by the amount you define, basically telling the processor to not change the pitch if it's 'close enough.' A small amount of this can bring your track back down to reality.
Now focus on the Humanize knob if you have it or something similar. It tells the plugin to hold to a specific note if the vocals start to waver too far, rather than correcting to a different, unintended note. Think of it like a release on a compressor. Use this when your singer holds onto notes for a long time at the end of phrases.
Natural Vibrato is another option that's not always available. It detects when the vocalist is using purposeful vibrato and allows you to increase or decrease the intensity of it. In my opinion, I wouldn't bother using this. This is a choice that needs to be made while recording the vocals.
5) Unsolo the Vocals & Tweak in Context of the Full Mix
This is your last step. You want to unsolo your vocals so you hear the backing tracks, too. Now listen to your work in the context of the full mix. From here, the only thing you'll likely want to tweak is the retune speed.
For electronic-based music like dubstep or EDM, you may even want a slight robotic sound. For classical, jazz, rock, or pop, which are more organic sounding genres, you'll want it to be less noticeable, so you'd choose a slower retune speed.
From here, your vocal's pitches may sound great, but you may still have other issues with the tracks. Check out our article on how to mix vocals to get a walkthrough that will revolutionize your quality. You'll want to apply those principals on every vocal track, every time.
Autotune Settings
Now I want to do two things. I want to define what each of the settings on your plugin does, and I want to provide some starting settings where possible that match each of the three styles of pitch correction I mentioned before.
Pitch Correction Options
Each pitch correction plugin with have various parameters (knobs) you can adjust. For the most part you'll be confronted with five options:
Autotune For Pro Tools 12
- Key, Scale, & Input Type
- Retune Speed (Response Time)
- Flex Tune (Smoothness)
- Humanize (Release Time)
- Natural Vibrato (Vibrato Adjustment)
These are what they're called on the official Autotune plugin and are (typically) what you'll find on the other ones, even if they're renamed to a degree.
Key, Scale, & Input Type - Without telling the software which key and type of scale you're using, it won't know which pitches to adjust towards. You can choose these from a selectable list (like major scale, harmonic minor scale, etc.) or punch it in yourself on the available keyboard layout.
The input type will vary in complexity from simply offering the two choices of Normal (higher vocal registers) or Low (Bass and Baritone). Some will actually let you choose from terms like Soprano, Tenor, Alto, etc. This just helps the software expect certain octaves so it can process faster and more accurately.
Retune Speed (Response Time) - This is measured in milliseconds and will let you go to zero, meaning instantaneous (how you get the robot sound). This speed controls how quickly a bad note is retuned to the correct one. If you set it too fast it will sound obvious and come with glitches as well.
Most of the time you will want subtlety, so you'll use a slower value so that the listener doesn't detect the changes. This is how you'll achieve a natural sound, while the faster times will begin to sound 'too good,' and if the performance is bad enough it will sound unnatural.
Flex Tune (Smoothness) - This kind of option isn't always available. Think of this option as adding smoothness to a processed track that required a faster retune speed due to how off pitch the vocalist was. It tries to smooth out the transitions and make them sound more gentle and less detectable.
You may think this would fight against the retuning but it's more like adding an allowable margin of error. It basically lets you decide that if a note is close enough to the correct pitch, to leave it alone and not process it. It helps you maintain the human element to the track rather than making it unnaturally perfect.
Humanize (Release Time) - I like to think of this as a release time (similar to what you find on a compressor). It tells the pitch correction to hold fast during long notes. If your vocalist doesn't hold out long, sustained notes at the end of phrases you may not need this.
What it's for is to correct unintentional vibrato during long notes. When the singer's voice wavers by accident, it won't be 'pitch perfect' like purposeful vibrato is. If the note wavers too far it'll snap to a different note. This option keeps that from happening.
Natural Vibrato (Vibrato Adjustment) - You won't always find this option either. It's kind of the opposite of the Humanize option above in that it can introduce vibrato that is otherwise missing. It takes talent to sing vibrato and to do it correctly. If your singer can't do it but the song calls for it, this option can add it in at varying amounts. It can also reduce the intensity of the natural vibrato.
Autotune Settings for Singing
Above I mentioned the three levels of pitch correction, which are basically 'complete overkill,' 'too much is needed,' and 'perfect and unnoticeable.' Here are some starting points to you can use, but please note that you'll have to adjust them to taste for each and every vocal track. What's needed will change each time!
For a purposefully over-dramatic use of the effect like Cher or T-Pain, set the retune speed and flex tune speeds to zero. This will snap the notes instantaneously to the pitches they should be at. Set the humanize knob to the maximum and reduce natural vibrato as much as you can.
This will cause the vocals to sound like a synthesizer. You can make it even more dramatic by purposefully singing off pitch when recording. You should be close but nowhere near perfect in order to make the plugin really put in the work to re-pitch each note.
For the current expectation for pop and country music, try setting the retune speed around 5 ms to 15 ms, with barely any flex tune. A little bit is good to keep the track sounding realistic. What you'll end up with is a pitch-perfect track but one that doesn't 'snap' quickly to the notes so it still sounds like a human performance.
For natural, realistic sounding autotune, you'll want a slower retune speed (set it to where you barely hear it and then back it off a bit more) and maybe 10% flex tune to allow some wavering. That's it. Leave the other settings alone.
Pro-Tip: You can add pitch correction to only parts of a performance if you don't want to use it much but certain parts definitely need fixing. Add the plugin to an automation track with a very slow retune speed, then on the parts you want to fix, crank up the retune speed so it actually acts on the vocals quickly enough to correct the pitch.
The Differences Between Autotune Plugins
I mentioned there being a lot of pitch correction plugins, which may have left with the questions of which is the best and what are the differences. They all do the exact same job, though some have more options, while one has an unbelievable amount of extra choices.
Heres a list of some of the most popular pitch correction plugin choices:
- Celemony Melodyne
- Antares Auto-Tune (various versions)
- Wave Tune (various versions)
- Zynaptiq Pitchmap
- Melda MAutoPitch
- Synchro Arts Revoice Pro
- Izotope Nectar
- Logic Pro Pitch Correction
- Steinberg PitchCorrect
- Cakewalk/Roland V-Vocal
- Mu Technologies Mu Voice
There's a lot more, but those are your most popular choices in no particular order other than Antares Auto-Tune being the most popular. Celemony Melodyne is another great but costly choice that provides some unbelievable choices, especially with the visual user interface. Look at this thing:
The differences here are that the paid versions will have more choices, and as you move into the 'Pro' versions of each one they'll introduce more options for you. Many users will find they don't need the most advanced choices, especially when not adding pitch correction in real time.
Pro-Tip: Melodyne is very transparent. You can correct the pitches and tweak the cents very close to perfect and bounce the track. From there you can then apply Autotune to the 'almost perfect' track and end up with a godly vocal performance that sounds very natural.
That's How to Use Autotune!
The process is very simple. The challenge is understanding what each setting does, because the short names can't possibly be self-explanatory due to the complexity of the software. Once you understand what the knobs do, the rest is a piece of cake.
With our walkthrough and explanations above, you should have know how to use autotune as well as any professional. Finding the correct settings is as simple as slowly turning the knobs and using your ears. It's truly a revolutionary plugin, not only in its power but in its simplicity.
Autotune is the perfect example of a signal processing method that can be used in overdrive as an effect or used properly in a transparent way to improve a performance. More artists than you'd realize use this tool undetectably, while others make it very obvious.
Take artists like Cher or T-Pain, or even Lil Wayne when rapping, who nearly sound like robots during their songs. It's my opinion that the 2010 decade will be considered a 'dark age' of music, partially due to this effect that many artists will come to regret in the future.
Then you consider all of the artists you think aren't using it. Let me tell you, they all are, but their mixing engineers are doing such a fantastic job with it you wouldn't know. The main contributing factor to an 'invisible' autotune is a great vocal performance.
In order to push the effect into overdrive you have to purposefully have a bad performance to a certain degree, which is why it works so naturally well for rap artists in terms of singing to the correct pitch.
There are three levels of autotune, as far as I see it:
- Purposefully too much - like Cher, T-Pain, and Lil Wayne
- Too much needed - modern Pop and Country music
- The perfect amount - every other genre that you don't notice it in
The only difference between the second and third stage is how good of a vocalist the artist is. Most pop artists are selected based on their overall marketability (looks, ability to perform, above average vocal talent) as opposed to being chosen based on a supreme skill in singing.
I'm going to show you how to achieve all three stages, from sounding like a robot, to sounding like a synthesizer, to undetectable perfection.
What is Autotune?
Autotune is an audio signal processor tool originally used to correct off-key pitches in vocal performances (or any other instrument). It's also used as a sound effect applies pitch correction so aggressively that it sounds unnatural and synthetic.
The term Autotune has become synonymous with pitch correction, but it's actually a trademarked word and tool created by Antares Audio Technologies. Many DAW plugins exist that all have their own names and are referred to as such, but the effect is now commonly and simply called 'autotune.'
While disguising off-key pitches by slightly adjusting them to lock on key was the initial intention, Cher changed pop music for every with her 1998 single Believe. It uses the effect over-dramatically and inspired musicians like T-Pain to make it their signature sound.
How to Autotune
In this section I'll be telling you exactly how to use autotune, but I'll do it from the perspective of polishing an already great vocal performance. The key to having a transparent and musical use of this plugin is to create as best of a vocal track as possible.
This usually means singing the same section of a song dozens of times and creating a 'best of' composite track. Only after the absolute best performance has been pieced together from many takes should you fix the final errors with pitch correction software.
Note: Any vocal recording or instrument you want to use pitch correction on must be a mono track. Stereo tracks don't work out. It also needs to be free of reverb, delay, and other audio effects.
1) Apply the Plugin to the Track & Familiarize Yourself With It
I have to assume you know how to use your digital audio workstation software and how to add a plugin to a track in the multitrack. What I can't assume is which plugin you'll be using. In this case I'll be showing you the Logic Pro Pitch Correction plugin. They all work the same but look different.
Though I'll show you Logic Pro's default plugin, I'm going to use terminology that's more likely to appear in all of the plugins. You'll be able to figure out what's what, since I give several names for each parameter you can adjust.
If you aren't familiar with the settings at all, please scroll down to the next main section of the article called Autotune Settings. I define each setting and also provide some suggested starting points for the three levels of pitch correction mentioned above.
2) Select the Key, Scale, & Input Type
You'll typically have two choices. You can manually select a key (like G Minor) and a scale (Melodic minor scale), or you can punch it in manually on the provided keyboard. Sometimes, instead of a key they'll ask you for the root note of your scale, which would be G if using G Minor or G Major.
If you choose a key and scale from the list, you'll still want to adjust which notes are available as targets for tuning on the keyboard. Sometimes vocals doen't use all of the notes in a scale and you don't want them available, especially if a performance is extra 'not good.'
Alternatively, if you're going for the goofy robot rap vocal sound then choose the chromatic scale, which means all possible notes are available as pitch correction targets.
3) Choose Your Retune Speed
Now that you've defined the allowable notes for the effect, it's time to make it actually work. We're now going to focus on the retune knob or slider. A slower speed, like 400 ms to half of a second, will be completely undetectable but entirely too slow to even do anything in most cases.
Loop the vocals in solo mode (so you can only hear the singer) and start the retune at the slowest amount allowed. Slowly increase it and you'll begin to see the meter show which note is being detected and how sharp or flat it is in cents. That amount is how much pitch correction needs to be applied.
The retune speed defines how quickly it applies that amount of pitch correction. So if you need to slide a note up by 50 cents, that can occur instantaneously at zero milliseconds, or over 100 ms, as examples. You'll have to choose the right amount that provides the sound you want.
For electronic music, you may want it to be slightly noticeable. For the robot effect set it to zero. For a transparent use of the effect, you'll have to toy with it, but it'll be a slower setting than faster. It's impossible to tell you what the right amount is. You have to use your ears!
4) Decide How Perfect You Want the Vocals to Be
Regardless how quickly you're 'snapping' to the correct pitch, you have more choices to make about how impeccable and perfect you want the vocals to be. No human can hold a perfect note. Even the best will waver by a few cents. If you remove that wavering, it will sound unreal.
If you want to add the human element back into the vocal track, use the Flex Tune option if it's available. Logic Pro's Pitch Correction has no such option. It allows the vocals to be off-pitch by the amount you define, basically telling the processor to not change the pitch if it's 'close enough.' A small amount of this can bring your track back down to reality.
Now focus on the Humanize knob if you have it or something similar. It tells the plugin to hold to a specific note if the vocals start to waver too far, rather than correcting to a different, unintended note. Think of it like a release on a compressor. Use this when your singer holds onto notes for a long time at the end of phrases.
Natural Vibrato is another option that's not always available. It detects when the vocalist is using purposeful vibrato and allows you to increase or decrease the intensity of it. In my opinion, I wouldn't bother using this. This is a choice that needs to be made while recording the vocals.
5) Unsolo the Vocals & Tweak in Context of the Full Mix
This is your last step. You want to unsolo your vocals so you hear the backing tracks, too. Now listen to your work in the context of the full mix. From here, the only thing you'll likely want to tweak is the retune speed.
For electronic-based music like dubstep or EDM, you may even want a slight robotic sound. For classical, jazz, rock, or pop, which are more organic sounding genres, you'll want it to be less noticeable, so you'd choose a slower retune speed.
From here, your vocal's pitches may sound great, but you may still have other issues with the tracks. Check out our article on how to mix vocals to get a walkthrough that will revolutionize your quality. You'll want to apply those principals on every vocal track, every time.
Autotune Settings
Now I want to do two things. I want to define what each of the settings on your plugin does, and I want to provide some starting settings where possible that match each of the three styles of pitch correction I mentioned before.
Pitch Correction Options
Each pitch correction plugin with have various parameters (knobs) you can adjust. For the most part you'll be confronted with five options:
- Key, Scale, & Input Type
- Retune Speed (Response Time)
- Flex Tune (Smoothness)
- Humanize (Release Time)
- Natural Vibrato (Vibrato Adjustment)
These are what they're called on the official Autotune plugin and are (typically) what you'll find on the other ones, even if they're renamed to a degree.
Key, Scale, & Input Type - Without telling the software which key and type of scale you're using, it won't know which pitches to adjust towards. You can choose these from a selectable list (like major scale, harmonic minor scale, etc.) or punch it in yourself on the available keyboard layout.
The input type will vary in complexity from simply offering the two choices of Normal (higher vocal registers) or Low (Bass and Baritone). Some will actually let you choose from terms like Soprano, Tenor, Alto, etc. This just helps the software expect certain octaves so it can process faster and more accurately.
Retune Speed (Response Time) - This is measured in milliseconds and will let you go to zero, meaning instantaneous (how you get the robot sound). This speed controls how quickly a bad note is retuned to the correct one. If you set it too fast it will sound obvious and come with glitches as well.
Most of the time you will want subtlety, so you'll use a slower value so that the listener doesn't detect the changes. This is how you'll achieve a natural sound, while the faster times will begin to sound 'too good,' and if the performance is bad enough it will sound unnatural.
Flex Tune (Smoothness) - This kind of option isn't always available. Think of this option as adding smoothness to a processed track that required a faster retune speed due to how off pitch the vocalist was. It tries to smooth out the transitions and make them sound more gentle and less detectable.
You may think this would fight against the retuning but it's more like adding an allowable margin of error. It basically lets you decide that if a note is close enough to the correct pitch, to leave it alone and not process it. It helps you maintain the human element to the track rather than making it unnaturally perfect.
Humanize (Release Time) - I like to think of this as a release time (similar to what you find on a compressor). It tells the pitch correction to hold fast during long notes. If your vocalist doesn't hold out long, sustained notes at the end of phrases you may not need this.
What it's for is to correct unintentional vibrato during long notes. When the singer's voice wavers by accident, it won't be 'pitch perfect' like purposeful vibrato is. If the note wavers too far it'll snap to a different note. This option keeps that from happening.
Natural Vibrato (Vibrato Adjustment) - You won't always find this option either. It's kind of the opposite of the Humanize option above in that it can introduce vibrato that is otherwise missing. It takes talent to sing vibrato and to do it correctly. If your singer can't do it but the song calls for it, this option can add it in at varying amounts. It can also reduce the intensity of the natural vibrato.
Autotune Settings for Singing
Above I mentioned the three levels of pitch correction, which are basically 'complete overkill,' 'too much is needed,' and 'perfect and unnoticeable.' Here are some starting points to you can use, but please note that you'll have to adjust them to taste for each and every vocal track. What's needed will change each time!
For a purposefully over-dramatic use of the effect like Cher or T-Pain, set the retune speed and flex tune speeds to zero. This will snap the notes instantaneously to the pitches they should be at. Set the humanize knob to the maximum and reduce natural vibrato as much as you can.
This will cause the vocals to sound like a synthesizer. You can make it even more dramatic by purposefully singing off pitch when recording. You should be close but nowhere near perfect in order to make the plugin really put in the work to re-pitch each note.
For the current expectation for pop and country music, try setting the retune speed around 5 ms to 15 ms, with barely any flex tune. A little bit is good to keep the track sounding realistic. What you'll end up with is a pitch-perfect track but one that doesn't 'snap' quickly to the notes so it still sounds like a human performance.
Autotune Logic Pro X Free Download
For natural, realistic sounding autotune, you'll want a slower retune speed (set it to where you barely hear it and then back it off a bit more) and maybe 10% flex tune to allow some wavering. That's it. Leave the other settings alone.
Autotune Logic Pro X Plugin
Pro-Tip: You can add pitch correction to only parts of a performance if you don't want to use it much but certain parts definitely need fixing. Add the plugin to an automation track with a very slow retune speed, then on the parts you want to fix, crank up the retune speed so it actually acts on the vocals quickly enough to correct the pitch.
The Differences Between Autotune Plugins
I mentioned there being a lot of pitch correction plugins, which may have left with the questions of which is the best and what are the differences. They all do the exact same job, though some have more options, while one has an unbelievable amount of extra choices.
Heres a list of some of the most popular pitch correction plugin choices:
- Celemony Melodyne
- Antares Auto-Tune (various versions)
- Wave Tune (various versions)
- Zynaptiq Pitchmap
- Melda MAutoPitch
- Synchro Arts Revoice Pro
- Izotope Nectar
- Logic Pro Pitch Correction
- Steinberg PitchCorrect
- Cakewalk/Roland V-Vocal
- Mu Technologies Mu Voice
There's a lot more, but those are your most popular choices in no particular order other than Antares Auto-Tune being the most popular. Celemony Melodyne is another great but costly choice that provides some unbelievable choices, especially with the visual user interface. Look at this thing:
The differences here are that the paid versions will have more choices, and as you move into the 'Pro' versions of each one they'll introduce more options for you. Many users will find they don't need the most advanced choices, especially when not adding pitch correction in real time.
Autotune Logic Pro X Download
Pro-Tip:Ayur multani mitti. Melodyne is very transparent. You can correct the pitches and tweak the cents very close to perfect and bounce the track. From there you can then apply Autotune to the 'almost perfect' track and end up with a godly vocal performance that sounds very natural.
That's How to Use Autotune!
The process is very simple. The challenge is understanding what each setting does, because the short names can't possibly be self-explanatory due to the complexity of the software. Once you understand what the knobs do, the rest is a piece of cake.
With our walkthrough and explanations above, you should have know how to use autotune as well as any professional. Finding the correct settings is as simple as slowly turning the knobs and using your ears. It's truly a revolutionary plugin, not only in its power but in its simplicity.
Autotune Logic Pro Free
Tutorial – Using Auto-Tune Pro in Logic Pro X – Production Expert Antares has recently come out with a fantastic upgrade to their flagship pitch correction plug-in, Auto-Tune. The new Auto-Tune Pro has a completely redesigned interface, making it easier and more intuitive to use than ever. COMPARISON AT 3:37A first look at AutoTune Pro from Antares. After using Logic Pro X's stock Pitch Correction for years, i've decided to upgrade to AutoTune.
Over the last decade, autotune has evolved from a subtlety producers and engineers use to alter vocals and correct out of tune notes to a full-blown identity for certain musicians. Now, predominantly used in the realms of trap and left-field pop music, fans will even be able to identify an artist just by the way their distinct autotune sounds. There are a variety of plugins available which can generate these desired sounds, so to help you get to grips with what autotune does and the best tools for the job, we’ve put together a list of the best autotune plugins on the market.
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What is Autotune?
MeldaProduction, a renowned audio plugin company used and promoted. How to Use Autotune in Logic Pro XMore Free Logic Pro Videos - Correction effect overview for how to do autotune on logic pro x. Tutorial – Using Auto-Tune Pro in Logic Pro X – Production Expert. Antares has recently come out with a fantastic upgrade to their flagship pitch correction plug-in, Auto-Tune. The new Auto-Tune Pro has a completely redesigned interface, making it easier and more intuitive to use than ever. Logic X’s Flex Pitch is a fantastic asset to us all, and it’s free of course.
Autotune essentially is a piece of digital software which can alter the pitch of a singer’s voice during a live performance or afterwards in post-production. The way autotune works is by changing the speed of the vibration of a certain note to increase or decrease the pitch. To create a seamless and smooth sound, autotune can then remove or add vibrations to keep the duration of the note the required length. Although this highly sought after robotic effect can be created by a vocoder and talkbox it’s important not to get them confused. The vocoder, which was invented in 1938, synthesizes human speech using different band frequencies whereas a talkbox lets musicians shape the sound of an instrument using their mouth and a plastic tube.
1. Antares Audio Technologies Auto-Tune
As the original developers and registered trademark owners of the autotune effect, it only seems right to head up our list with Antares Audio Technologies Auto-Tune. Since its initial release in 1997 Antares Auto-Tune plugins have come a long way. They now have a number of different versions available such as their flagship Auto-Tune Pro ($399) which is the most complete and advanced edition of Auto-Tune to their affordable Auto-Key ($49) and everything in between. Antares Auto-Tune is great for both detailed transparent tuning and creating that extreme autotune effect using a MIDI keyboard. Check out their different audio devices here.
2. Waves OVox
Our partners, Waves Audio, are renowned for the quality of their audio plugins – and their autotune plugin is no different. OVox is an all in one powerhouse which enables you to pitch, tune, harmonize and arpeggiate vocals as well as create classic vocoder & talkbox effects. The Note Mapper allows you to easily work with chords, scales and harmonies adding Daft Punk-style robotic tones to your vocals.
3. Melodyne
Although Antares were the first to create the autotune effect, Celemony developed their own stand-out take on the effect with Melodyne. Melodyne enables music producers and sound engineers to edit audio in crystal clear ways by editing notes directly. The ability to manipulate the pitch, formants, dynamics and timing of the on-screen notes allows you to reimagine and edit vocals, piano, guitar, synth and more hours, weeks or even years after the recording session. Although not the best for extreme autotune effects the 99€ essential version is great for detailed transparent tuning.
4. The Mouth
From Tim Exile, the man who brought us ‘The Finger‘, The Mouth helps generate melodies and harmonies out of any audio you feed into it. Whether you’re a singer, beatboxer, bass guitarist or synth player, you’ll be able to channel your sounds into The Mouth. The plugin is able to detect the pitch of an incoming audio source, autotune it and transform it into a scale or customised melody from MIDI notes.
5. Logic Pro’s Flex Pitch
Logic Pro’s inbuilt Flex Pitch is a stock plugin which can yield fantastic results. When activated, Flex Pitch splits your vocal or audio sample up into separate pitches so it’s easy to see which notes are being triggered by the sound. Once editing your audio samples you’ll be able to automate the volume, adjust vibrato, the formant and more giving you complete control of how your sound will end up. Take it to the extreme or keep your edits subtle with Logic’s Flex Pitch.
6. BeatLab’s Autotune for Ableton Live
Logic Pro X Auto Tune Plugin 2020
Our friends over at BeatLab have modded Cycling 74 Autotuna which is included in Max 7 Pitch and Time Machine pack. Now, with BeatLab’s moded autotune, you can easily select which scale you want to pitch correctly. It’s incredibly simple and easy to use – see for yourself by watching the video here.
The above list is by no means exhaustive and represents just a small amount of the very best of the wealth of autotune plugins available to producers today. Though the above plugins are, in our opinion, our favourite and most-used in our own productions, it’s always best to experiment with others to find out what works for you.
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Logic Pro X Auto Tune Plugin Ugin Fl Studio
Pitch Correction Logic Pro X Autotune
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Whether you’re a music producer, podcast editor, or filmmaker, learning how to automate effects in your DAW can add a unique and creative touch to your work. For example, automating a saturation plugin that gets harsher over time can bump up your horror movie’s creepiness factor. Similarly, automating a rising low cut filter on an EQ plugin can produce a feeling of drifting away. In this tutorial, you’ll learn how to automate effects in Logic Pro X.
Logic Pro X Auto Tune Plugin Download
For the purposes of this tutorial, we’ll be automating the low cut filter in Logic Pro X’s Channel EQ plugin. As you can see in the screenshot below, there is an instance of Channel EQ to the track named “Track” – sorry about that. 😅
The first step is to enable the Automation Toggle in Logic Pro X’s menu bar. After clicking the Automation Toggle, the background of your tracks will become more opaque, and you’ll also see a horizontal automation line appear in the middle of each track. In each track’s info section, you’ll see additional dropdown like “Read” and “Volume” as well.
Pitch Correction Logic Pro X Autotune Pro
Click on the dropdown that says “Volume”, and you’ll notice it’s a menu that lets you select a parameter to automate. In addition to volume and global effects under “Main”, you’ll also see submenus for the selected track’s effects plugins as well. As stated earlier, we’ll be automating Channel EQ’s low cut filter, so let’s click on “Low Cut Frequency” in the “1 Channel EQ” submenu.
Logic Pro X Autotune Plugin Download
After the “Low Cut Frequency” parameter is selected, simply click on the automation line to create an automation point. You can drag the point up and down to set parameter value. In this case, dragging the point up will increase the low cut frequency, and dragging it down will do the opposite. In the screenshot below, there’s an automation point at 50 Hz at the start of the timeline.
Now let’s create a second automation point seven bars in at 1,100 Hz. As you can see, the change in low cut frequency is reflected in the Channel EQ plugin. At this point, if you start playback from the beginning of the timeline, you’ll see the low cut filter move in realtime in the Channel EQ plugin.
Pitch Correction Logic Pro X Autotune Plugin Free
Free Autotune Plugin Vst
If you hate linear automation, you’re in luck because curve automation is easy in Logic Pro X. In some situations, using a curve to automate effects may yield a more “natural-sounding” result – whatever that means. To use curve automation, hold down Ctrl+Shift and click on an existing automation line. You can drag it up and down to change the type and intensity of the curve.
Effects automation is a very useful tool for a variety of use cases including modern pop production and sound design for film. Whether you’re creating an annoying pan effect for the next Top 40 hit or leveling out dialogue levels in a hipster indie film, you can get it done in Logic Pro X.
If you have any questions about how to automate effects in Logic Pro X, feel free to reach out to me on Twitter or send me an email.